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Ph.D., University of Delhi


M.Phil., Department of Sociology, University of Delhi


M.A., Department of Sociology, University of Delhi

Prof. (Dr.) Mani Shekhar Singh

Professor and Executive Director, Centre for Law and Humanities

Email mssingh@jgu.edu.in
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ORCID ID 0000-0003-2875-9062
Key Expertise Sociology of Law; Visual Anthropology; Anthropology and Sociology of art; Folk and Tribal Painting Traditions; Vernacular Art and Craft Practices; Popular and Tourist Art Worlds; Traditional Art, Improvisation and Creativity; Political Art and Posters; Comics and Graphic Novels; Street Art and Urban Aesthetics; Legal Aesthetics and Images of Justice; Courtroom Architecture and Visual Culture.

Ph.D., University of Delhi


M.Phil., Department of Sociology, University of Delhi


M.A., Department of Sociology, University of Delhi


Biography

Prof. (Dr.) Mani Shekhar Singh is Professor of Sociology and Executive Director of the Centre for Law and Humanities at Jindal Global Law School, O.P. Jindal University. He is trained in social and visual anthropology at the Department of Sociology, Delhi School of Economics, University of Delhi. His work focuses on folk art forms, popular visual culture, and creativity, with a particular emphasis on the pictorial practices of women painters in the Mithila region of Bihar, India. His extensive research on women artists of Mithila culminated in his doctoral thesis titled “Folk Art, Identity and Performance: A Sociological Study of Maithil Painting.” This work was completed at the Department of Sociology at the Delhi School of Economics, University of Delhi, where he was awarded a PhD. Prof. Singh also earned his MA and MPhil degrees in Sociology from the Department of Sociology at the Delhi School of Economics, University of Delhi.

He has taught at the New School for Social Research and Eugene Lang College of Liberal Arts in New York, as well as at the Department of Sociology at the Delhi School of Economics, University of Delhi. He has served as a visiting professor at the Centre for the Study of Law and Governance at Jawaharlal Nehru University, Delhi, and was a postdoctoral teaching fellow at the Department of Anthropology at the New School for Social Research. With decades of experience in undergraduate and postgraduate studies specialising in visual anthropology and sociology of art, he has designed and taught a variety of courses. These include Introduction to Sociology, Sociology of Law, Cricket, Law and Society, Art, Law and Images of Justice, Legal Aesthetics, Court Architecture and Access to Justice, Visual Culture, Media and Global Flows of Images in South Asia, Anthropology of Art, Art and Creativity in a Globalising World, and Exploring Art, Craft and Creativity. He is a dedicated teacher and mentor committed to advancing critical theory and visual methodologies in undergraduate curricula. His long-lasting research interests encompass visual anthropology, folk painting, vernacular art and craft traditions, popular and tourist art worlds, traditional art, improvisation and creativity, political art and posters, street art, graffiti and urban aesthetics, images of justice, as well as courtroom architecture and visual culture.

Prof. Singh has received several fellowships and awards, which include Visiting Fellow, the Kate Hamburger Kolleg “Recht als Kultur,” Bonn (2012-13), IGK Arbeit und Lebenslauf in globalgeschichtlicher Perspective, Humboldt-Universität zu Berlin (2011), Directeur d’Études Associé, Foundation Maison des Sciences de l’Homme, Paris (2010), the New India Foundation Fellowship (2008-2009), the Rockefeller Fellowship at the Johns Hopkins University, Baltimore (2005-6), Fellowship, Indo-Dutch Programme in Alternative Development (IDPAD) and Institute of Socio-Economic Research on Development and Democracy (ISERDD), Delhi (2004-2005). India Foundation for the Arts Fellowship (2002-2004), the German Volkswagen Foundation and University of Heidelberg Fellowship (2002-2003), the Indira Gandhi Centre for the Arts research grant (2001), and the Junior Research Fellowship of the University Grants Commission (1986-91).

As an accomplished interdisciplinary researcher exploring the intersections of cultural identity, visual media and contemporary art movements, he has published in several edited volumes, museum catalogues, reports and journals, including Contributions to Indian Sociology, Indian Folklife, Indian Horizons, Economic and Political Weekly, and Domains. He is currently completing his book manuscript titled Folk Art Enters the World: Mithila Painting from Village to Nation and Beyond. This monograph builds upon his doctoral and postdoctoral research on the pictorial practice of women artists in Mithila.
 

Core Courses

  • Sociology 1 
  • Sociology 2 
  • Sociology of Law

Elective Courses

  • Cricket, Law and Society
  • Anthropology of Art
  • Visual Culture, Media and Global Flows of Images in South Asia
  • Art and Creativity in a Globalising World
  • Exploring Art, Craft and Creativity
  • Art, Law and Images of Justice
  • Legal Aesthetics, Court Architecture and Access to Justice
  • Directeur d’Etudes Associé, The Fondation Maison des Sciences de l’Homme, Paris, October–December 2010.
  • Book Writing Grant, the New India Foundation, Bangalore, October 2008–September 2009.
  • Principal Researcher, “Media Representations,” Indo-Dutch Programme in Alternative Development (IDPAD) Project entitled Mapping City Spaces: Communal Violence, Social Reconciliation and Documentary Practices of the State, Institute of Socio-Economic Research on Development and Democracy, Delhi, January 2004 – February 2005.
  • Research Grant, India Foundation for the Arts (IFA), Bangalore, March 2002–February 2004.
  • Research Grant, German Volkswagen Foundation and Universität Heidelberg, November 2002–April 2003.
  • Research Grant, the Indira Gandhi Centre for the Arts, New Delhi, January–June 2001.
  • Research Manager, Social Science and Immunisation: Country Study, India Project, Centre for Development Economics, Delhi School of Economics, University of Delhi, August 1996 – July 1998.
  • Junior Research Fellowship of University Grants Commission, New Delhi, August 1986–July 1991.
     
  • Visiting Professor, the Centre for the Study of Law and Governance, Jawaharlal Nehru University, Delhi, July 2015–December 2015.
  • Visiting Fellow, Käte Hamburger Kolleg “Recht als Kultur,” Internationales Kolleg für Geisteswissenschaftliche Forschung, 53227 Bonn, November 2012 – July 2013.
  • Visiting Fellow, IGK Arbeit und Lebenslauf in globalgeschichtlicher Perspektive, Humboldt-Universität zu Berlin, Berlin, January 2011 – July 2011.
  • Postdoctoral/Rockefeller Foundation Fellow, Department of Anthropology, Krieger School of Arts and Sciences, Johns Hopkins University, Baltimore, September 2005 – August 2006.
  • Research Fellow/German Volkswagen Foundation, Department of Ethnology, Universität Heidelberg, November 2002 – April 2003.
  • Adjunct Professor, Department of Anthropology, New School for Social Research, New School University, New York, September–December 2000.
     

“Color, Rhythm, and Repetition in Paintings by Dalit Women of Mithila”, in India’s Mithila Painting, Paula Richman and David Szanton (eds.), (Seattle: The University of Washington Press, 2025).

“What Should Happen, But Has Not Yet Happened: Painterly Tales of Justice”, Contributions to Indian Sociology 53, 1 (2019): 184-216.

Review of Uwe Skoda and Birgit Lettmann, eds., India and its Visual Cultures: Community, Class and Gender in a Symbolic Landscape (2018, SAGE Publications), Contribution to Indian Sociology 53, 3 (2019): 466-468.

“Making Claims to Tradition: Poetics and Politics in the Works of Young Maithil Painters”, in Wording the World: Veena Das and Scenes of Inheritance, Roma Chatterji (ed.), (Bronx, NY: Fordham University Press, 2014).

“Religious Iconography, Pictorial Convention, and Personal Trait: Composing paintings in Mithila”, in Ritual in an Unstable World: Contingency, Hybridity, Embodiment, Alexander Henn and Klaus-Peter Koepping (eds), (Peter Lang: Intenationaler Verlag der Wissenschaften, 2007).

“Maithil Painting as an Emergent Form”, Indian Horizons 54 (July–September, 2007): 27–50.

“Religious Iconography, Violence, and Making of a Series”, Domains 3 (2007): 41–68.

“Maithil Pictorial Tradition, Religious Iconography, and Making of a Series on Gujarat Violence”, in Santosh Kumar Das—The Gujarat Series: An Introduction, Kamala Visweswaran and Mani Shekhar Singh, (South Asia Institute, University of Texas at Austin, 2006).

Kamala Visweswaran and Mani Shekhar Singh (2006), Santosh Kumar Das—The Gujarat Series: An Introduction, South Asia Institute, University of Texas at Austin.

“Composing a Life: Biography, State Institutions, and Personal Iconography of Ganga Devi”, Occasional Papers (New Series) No. 4 (2005). Department of Sociology, Delhi School of Economics, University of Delhi, Delhi.

“Journey into distant land: Poetics of Maithil painting”, Indian Folklife 3, 4 (2004): 11–14.

An Ethnographic Study of the Pictorial Traditions of the Dalits of Mithila, India Foundation for the Arts (IFA), Bangalore, 2003.

Tradition, Expression, and Creativity in Folk Art: An Ethnographic Study of Maithil Painting, Indira Gandhi Centre for the Arts, New Delhi, 2002. Other Professional/Creative/Pedagogical Material:

“Journey into the pictorial space: Poetics of frame and field in Maithil Painting”, Contribution to Indian Sociology (ns) 34, 3 (2000): 409–442.

“Communicating Immunisation: The Mass Media Strategies”, Economic and Political Weekly 35, 8-9 (2000): 667–675.

Review of Suzanne Lewis, The Rhetoric of Power in the Bayeux Tapestry (1999, Cambridge University Press), Indian Economic and Social History Review 37, 2 (2000): 244–245.

“Building Alliance through Images: An Analysis of the Strategies for Communicating Immunisation”, Social Science and Immunisation Working Paper Series No. 13 (1997). Centre for Development Economics, Delhi School of Economics, University of Delhi, Delhi.

Review of Karl Werner, Symbols in Art and Religion (1990, Curzon Press), Contribution to Indian Sociology (ns) 26, 1 (1992): 185–186.
Email mssingh@jgu.edu.in
ORCID ID 0000-0003-2875-9062
Key Expertise Sociology of Law; Visual Anthropology; Anthropology and Sociology of art; Folk and Tribal Painting Traditions; Vernacular Art and Craft Practices; Popular and Tourist Art Worlds; Traditional Art, Improvisation and Creativity; Political Art and Posters; Comics and Graphic Novels; Street Art and Urban Aesthetics; Legal Aesthetics and Images of Justice; Courtroom Architecture and Visual Culture.
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