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Prof. Gargi Bharadwaj

Prof. Gargi Bharadwaj

Associate Professor of Practice, Theatre and Performance Studies

Assistant Director, Office of Student Life and Cultural Engagement

B.A. (Hons.) (University of Delhi);

PG Diploma in Dramatic Arts (National School of Drama, New Delhi);

Masters in International Performance Research (Erasmus Mundus scholar at University of Amsterdam, NL and University of Warwick, UK);

Ph.D. (University of Hyderabad)

: gbharadwaj@jgu.edu.in

Gargi is a theatre practitioner and performance studies scholar. She is an economics graduate from Delhi University after which she has pursued training in theatre from Sri Ram Centre for Performing Arts, Delhi and theatre direction from National School of Drama, Delhi. She was awarded the Erasmus Mundus Scholarship to pursue MA in International Performance Research from University of Warwick, UK and University of Amsterdam, Netherlands.

Her doctoral research from Central University of Hyderabad focusses on creating a historical narrative of national cultural policy with respect to theatre practice in India focussing particularly on the functioning of Sangeet Natak Academy in its formative years through ideas of cultural governance and democracy. Prior to joining JGU, she taught courses in performance studies at the School of Cultural and Creative Expressions, Ambedkar University, Delhi. Her research interests include cultural politics, theorising contemporary theatre practice, translating porto-feminist themes in performance, feminist epistemology and analysing self-articulations of women in public culture. She has published theatre reviews, essays and articles on cultural policy, performance in everyday life, performative actions of women, performativity of violence and protests, and issues of mediatization as they reflect in contemporary theatre practice.

  • Mahanta, Upasana & Gargi Bharadwaj (2023) Shifting Boundaries of ‘Perceived’ Legitimacy: Animative Scenarios from the Farmers’ Protests in India. Performance Research. On Protest 27.2. Forthcoming
  • Gargi Bharadwaj & Upasana Mahanta (2021) Space, time and the female body: New Delhi on foot at night, Gender, Place & Culture, DOI: 10.1080/0966369X.2021.1916447
  • Bharadwaj, Gargi (2021). Politics of Location: theatrical contemporaneity in India. In Ranjana Dave (Ed.), Improvised Futures: Encountering the Body in Performance. Tulika Books. 
  • (Reprinted from Staging Change: Theatre in India, pp. 64-75, by Kapur, Anuradha. Ed., 2019. MARG-A MAGAZINE OF https://tulikabooks.in/catalog/product/view/id/22374 
  • Cherian E. Anita, and Gargi Bharadwaj (2020) “Constructing Genealogies of Disobedient Performance: Disappearance by/in the Media” Performance Research Vol. 24, No. 7: ‘On Disappearance’
  • Mahanta, Upasana, and Gargi Bharadwaj  (2019) “Does Feminist Historiography Have An Emancipatory Potential? Economic and Political Weekly. ENGAGE. Vol. 54, Issue No. 31, 03 Aug, 2019
  • Bharadwaj, Gargi (2019). Politics of Location: A View of Theatrical Contemporaneity in India “Staging Change: Theatre in India” Volume 70, No.3, March 2019
  • Bharadwaj, Gargi (2018). Theatrical explorations of Contemporaneity, Serendipity Arts Festival, December 16-22, 2017, Panjim, Goa ( Serendipity Arts Festival, Goa)
  • Bharadwaj, G. and Agarwal (2016). “Memoirs of Badal Sircar: Some excerpts from his writings” in Badal Sircar: Search for a Language of Theatre. Eds. Kirti Jain. Natrang Pratishthan series on modern Indian Theatre. NP, Delhi.

  • Bharadwaj, Gargi, and Lonneke van Heugten (2017) “Co-curating the Curriculum: On the Politics of International Performance Pedagogy.” International Performance Research Pedagogies. Palgrave Macmillan.
  • Mahanta, Upasana & Gargi Bharadwaj (2023) Shifting Boundaries of ‘Perceived’ Legitimacy: Animative Scenarios from the Farmers’ Protests in India. Performance Research. On Protest 27.2. Forthcoming
  • Gargi Bharadwaj & Upasana Mahanta (2021) Space, time and the female body: New Delhi on foot at night, Gender, Place & Culture, DOI: 10.1080/0966369X.2021.1916447
  • Introduction to Theatre-making : expressive arts component
  • Transformative Actions in Public Space: Exploring Contemporary Theatre & Performance